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路易·马勒似乎总是个旁观者，他从不急于追赶电影潮流，反而不断重复和回望过去。《协和广场》可以说是对让·鲁什（Jean Rouch）的《夏日纪事》以及克利斯·马克（Chris Marker）的《美好的五月》（Le Joli Mai）的回应，这些电影里，导演走上大街，不断向陌生的过客问一系列问题，电影制作者和受访对象的交互性被放至最极限。路易·马勒在《协和广场》也选择了这种风格，他躲在摄影机和麦克风背...
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公开影片资料电影资料
It was from the popular song-poem by Mohamed Ben Guittoun that director Mohamed Hazourli (
Thakara is an orphan. He is mentally immatured but clean hearted. He has a close relation
The young dude, who can't even make responsible decisions in life, doesn't get along with
During the German Occupation, two brothers, Takis and Christos, fight the invaders with gr
A film based on short stories by K. Przerwu-Tetmajer's Grey Eyes and M. Urban's Melted Hea
Angela and Robert have been married for ten years and make a perfect couple. They are madl
Before World War II, Swedish workers had to deal with low wages, scarce work, and the exte
Tony and Nanar, two teenagers who met in reform school, are part of a gang of idle, pennil